"Radiant Sweetness" NY Times

"Arresting Sweetness and simplicity"NY Times

"Hues subtle and angelic"South Florida Classical Review

"The soprano Molly Quinn, whose aria 'Aus Liebe' was one of the highlights of the evening." (St Matthew Passion, 2013) Dr Michael Bordt www.klassik.com

In the motet “Pulchra es” she(Jolle Greenleaf) joined her fellow soprano Molly Quinn in a duet of arresting sweetness and simplicity, their voices carefully matched in purity and expression. They delivered the difficult passaggi — the throaty rhythmic quickening of early-17th-century vocal music — with practiced precision." (Green Mountain Project, Vespers of 1610) Corinna Fonesca-Wollheim for The New York Times

Molly Quinn has captivated audiences in diverse repertoire ranging from Monteverdi to the Rolling Stones. Please join in, take a listen, learn about some interesting organizations, and explore Molly's upcoming events

Molly Quinn has captivated audiences with her “radiant” soprano, possessing an “arresting sweetness and simplicity” (NY Times) in diverse repertoire ranging from Monteverdi to the Rolling Stones. Ms. Quinn opened her 2013/14 season as one of four Virginia Best Adams Fellows at the Carmel Bach Festival, highlighting her penchant for 17th and 18th century music in performances of Bach, Buxtehude, Handel and Purcell. She continued with performances as the soprano soloist in the world premiere completion of Mozart’s Requiem by composer Gregory Spears with Miami’s GRAMMY® nominated Seraphic Fire, Handel’s Messiah at Alice Tully Hall with Trinity Choir and Baroque Orchestra and In Dulci Jubilo, a collaboration between TENET, Bach Collegium San Diego and Dark Horse Consort in the music of Michael Praetorius in both New York and San Diego.

As a member of New York’s TENET, Ms. Quinn has been a long-time collaborator of artistic director Jolle Greenleaf. She has been featured in several projects, including the Green Mountain Project, the TENEbrae series and their duo program Uno + One: Italia Nostra, recorded and released this fall by Avie Records to critical acclaim and dubbed as an “Album of the Week” by WQXR. TENET proas well as touring the program to Costa Rica, Puerto Rico and forthcoming appearances in Denmark this summer.

Since 2006, Molly has been a member of the renowned Trinity Wall Street Choir, performing regularly at services, the Bach at One series, concert programs, recordings, and tours. She is a featured soloist on their 2013 GRAMMY® nominated recording of Handel’s Israel in Egypt with conductor Julian Wachner on the Musica Omnia label, has appeared with them in London, Moscow, Paris, and Sonoma, and joined soprano colleagues in singing back up for rock legends The Rolling Stones at The Barclays Center.

In recent seasons, Ms. Quinn has appeared regularly with notable early music ensembles and festivals including Clarion Music Society, The New York Early Music Festival, Antioch Chamber Ensemble, Connecticut Early Music Festival, Ecstatic Music Festival, Mostly Mozart Festival, Quicksilver, and Seraphic Fire.

As a proud native of Chapel Hill, North Carolina, Molly is drawn to the root music of Appalachia and Ireland and has performed in the cross-over programs Come to the River with Apollo’s Fire and The Music of Dublin with The Folger Consort. Upcoming performances include Arvo Pärt’s Passio with TENET at Carnegie Hall as part of the collected stories series curated by composer David Lang, Monteverdi’s Vespro della Beata Vergine 1610 with Cambridge Concentus and conductor Joshua Rifkin, as well as on tour in the U.S. with Apollo’s Fire and conductor Jeannette Sorrell, and a return home to Chapel Hill, NC for both Mozart’s Regina Coeli at the University of North Carolina in the newly restored Memorial Hall and a program of French cantatas for the newly launced HIP [Historically Informed Performance] Festival. Ms. Quinn holds both the Bachelor of Music and Master of Music in Vocal Performance from University of Cincinnati-College Conservatory of Music and currently resides in New York City.



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